Kazi Agaz
Artist, Illustrator, Graphic Designer
Mojlish's images are unusual. The size, medium and method of presentations frequently vary. Such a practice of incoherence offers its viewer a state of unreconciliation, doubt and perplexity. The intent of his works warp with time and space, as much as it does so with the viewers.
Mojlish works in an effort of enabling the senses that help manifest awareness. Through an invitation of self evaluation the images are an attempt to shed light on well hidden parts of the artist as well the communities that the work belongs to. Questioning the norms of ignorance, the images focus on different perceptions of reality.
The image-making process starts with photographs that display an accepted definition of reality. They are then reconstructed, lifting the curtain from several versions of the truth that grew a habit of staying suppressed in plain sight.
b. 1995
Bangladeshi
Based in Austin, TX
Member
Available for comissions and assignments
"Perhaps betrayal through images is the least unfortunate betrayal of all."
Md Ata Mojlish (1995) was born and raised in Dhaka Bangladesh. He completed his Bachelor of Social Science in Media Studies at the University of Liberal Arts Bangladesh. Mojlish's work primarily focuses on expression through digital reconstruction of the image.
Apart from eight years of image making, Mojlish also worked as a visual designer, photojournalist, communication planner, social media manager in Bangladesh, Namibia and USA.
Mojlish currently lives and works in Austin, Texas.
Mojlish's images are unusual. The size, medium and method of presentations frequently vary. Such a practice of incoherence offers its viewer a state of unreconciliation, doubt and perplexity. The intent of his works warp with time and space, as much as it does so with the viewers.
Mojlish works in an effort of enabling the senses that help manifest awareness. Through an invitation of self evaluation the images are an attempt to shed light on well hidden parts of the artist as well the communities that the work belongs to. Questioning the norms of ignorance, the images focus on different perceptions of reality.
The image-making process starts with photographs that display an accepted definition of reality. They are then reconstructed, lifting the curtain from several versions of the truth that grew a habit of staying suppressed in plain sight.